Specializing in high-end colour workflows, HDR delivery, and creative finishing for broadcast and long-form content. An Alliance Member of the Colorist Society International (CSI).

Since 2014, colour grading has been my primary day-to-day practice — delivering consistently under tight schedules while maintaining creative intent across large episode and shot counts. I regularly complete shows with 1,400–2,200 shots, using disciplined workflows built around DaVinci Resolve, modern HDR pipelines, and film-informed colour science.

My work spans broadcast series, documentary, and long-form projects, with recent credits including Dragons’ Den (Season 20), Drag Brunch Saved My Life, All-Round Champion, Project Rube, and Making Canada’s Team. I am equally comfortable handling traditional correction, film emulation, and modern HDR work — choosing tools based on story and delivery requirements rather than trends.

Alongside my finishing work, I continue to shoot narrative projects as a Cinematographer, including feature films produced every 1–3 years. This ongoing practice informs my colour work with a strong understanding of lighting, exposure intent, lens behaviour, and on-set decision-making — allowing me to collaborate fluently with directors and DPs.

My focus moving forward is high-end finishing, HDR mastering, and scalable remote grading workflows — supporting productions that value both speed and craft.